Top 10 TV Series Of All Time

We are about to attempt what may be impossible: take more than 86 years of television programming and select just the 10 best series of all time.  Keep in mind, though, that one can dispense with 99.99% of it as pure crap.  We also aren't going to consider public-affair or current-event shows, like 60 Minutes or Entertainment Tonight, nor will we include late-night talk shows that infest the airwaves and offer little of unique value since Jack Paar.

At the dawn of the medium, television was hailed as a way to bring quality cultural events directly into the family living room.  Even the name "television" means "to see at a distance," allowing us immediate access to global audio and video content.  It would entertain, educate and illuminate.  It was going to turn audiences into geniuses overnight (oh yes, they said that).  Instead, it devolved into cacophonous noise half-consciously absorbed by beer-swilling couch potatoes, whose general IQs slipped, rather than rose.  With the exceptions of the Moon landings and a handful of programs (noted below), television has assiduously failed in its grand promise to elevate the general population.  As one of the greats of early television, Ernie Kovacs, famously stated, "Television is called a medium, because it is neither rare nor well done."

All of that aside, we doggedly press on in hopes of salvaging something of value from this vast cultural wasteland.  This list will have a decidedly Western cultural slant, because we've watched a lot of Asian programming and well, except for the drop-dead (unintentional) laugh factories of Thai and Indonesian soap operas, daiz slim pickin's.

Some criteria were selected to guide us:

• By definition, a show had to be created specifically for television - no movies or movie-to-teevee content, and freely available on the public airwaves, so no cable-only or pay-per-view.
• The series had to have more than one episode, but didn't necessarily have to have "seasons" or be temporally consecutive, so mini-series and shows that featured different casts and stories in each episode were allowed if they had a common framework tying everything together.
• The shows had to have exceptional writing, acting and/or other qualities, though not necessarily large budgets (very few of the really good stuff gets sufficient funding).
• The shows had to have impacted the general culture in a profound and positive way, and not just with personalities or gimmicks.
• And finally, we have to like it, since it's our list and we can do whatever we want.

Note that the years given are for the broadcast premiers.

Without further annoyance, the Top 10 Television Series of All Time!

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10. Masterpiece Theatre (1971) - Now simply called Masterpiece and split into three formats, this is one of the few shows to fully deliver on the promise of television.  The content is produced by British television networks, like the BBC and ITV, and this program amalgamates the very best programmes (sic) into a weekly presentation platform.  The long-running public television series has consistently brought the greatest cultural treasures to our living rooms, including most notably adaptations of famous novels and dramatized biographies, though its original productions are among some of the finest examples of writing and acting for the small screen, as well. The show's achievements include a staggering list of some of the finest made-for-television dramas ever produced, and its repertoire includes our #1 pick on this list.  The show's multi-decade success (no Emmy event is complete without at least one entry from Masterpiece) is a testament to the wisdom of having PBS, as well as proof that there is still intelligent life to be found in America.

9. Columbo (1971) - One of the longest-lived mystery/detective show ever created, this series almost single-handedly popularized the inverted exposition style (howcatchem vs. whodunit), while creating one of the most iconic detectives in the genre's history, including Agatha Christie's and P. D. James' master detectives.  Peter Falk's rumpled, absent-minded, cigar-champing, glass-eyed, underestimated eponymous character became one of America's favorite sleuths.  Audience's waited for the detective's signature phrase, "Oh, just one more thing," that told them he was finally ready to spring the trap and take down his opponent.  With 69 episodes over 32 years (1-1/2 to 2 hours each), Columbo is probably one of the most successful underdog sleuth shows ever (Scooby Doo excepted), with only two recurring characters, one of whom (Mrs. Columbo) is never seen or heard (we could also include his car).  The show also featured the cream of television's A-list character actors as the perps, making for some quality moments in the medium's history.

8. Saturday Night Live (1975) - Inspired by Chile's long-running Sabado Gigante, this show has been in production continuously for so many years that there are now generations of people who consider "their cast" to be the definitive one.  When we started watching, the Not Ready for Prime Time Players were the undisputed kings of late-night comedy.  Forty years and a dozen casts later, the show's format has little changed, but the faces have blurred in a rapidly revolving door to stardom.  There is no dispute that the show launched dozens of major careers, from Chevy Chase to Will Farrell, from movie spin-offs and star franchises to catch-phrases and unforgettable characters.  One is hard-pressed to think of another show that has had such a profound effect on its cultural milieu, and it shows little sign of relenting.

7. M*A*S*H (1972) - Starting just at the tail end of the Vietnam War, this eternally re-run series picked up where Robert Altman's blackly satirical film left off and took its place alongside Hogan's Heroes, F-Troop and Gomer Pyle, USMC in the war comedy genre.  However, instead of poking fun at military life in a lighthearted superficial manner, this show went straight for the heart of war itself, balancing the gallows humor with gory scenes of "meatball" surgery and the reality of human brutality.  This show arguably added to the growing anti-war movement of the time, while concurrently providing a release valve for social tensions.  The show also features fine acting by master craftsmen.  From Hawkeye's food sniffing and Blake's obsession with fishing flies, to Radar's exceptional hearing and the faceless Announcer, the characters are some of the most fully developed in television universes.  The secret of the show's long run was the way in which it put three-dimensional characters in horrific situations who protected their sanity with a barrier of humor.  After 45 years, it still works.

6. The Simpsons (1989) - There is little we can add to the great piles of writing about this world-famous, culturally significant series.  The eponymous family in this animated comedy have spent the past quarter-century lampooning and lambasting American culture.  The iconoclastic series started as a 2-minute short segment on The Tracy Ullman Show, and developed into an entire industry that has satirized so much of modern culture that it has now turned on itself, ridiculing its own success and place in the society at which it once poked unrelenting fun.  Sure, maybe its overstayed its usefulness, but few will disagree that the first ten seasons were some of the finest moments in television comedy and satire, slaughtering every sacred cow it could get its yellow, three-fingered hands on.  The show has lent characters, catch phrases and situations to our common core.  What we really appreciate about it, though, is the more you know about Western culture and history, the funnier it gets, and even if you don't get the subtler jokes, there's always the signs in the background.

5. I Love Lucy (1951) - This consistently funny series is partly notable for the creation (by Desi Arnaz) of the multi-camera production technique and the formation of Desilu Studios, which brought the world such things as Star Trek (see below) and ultimately became Paramount Television.  Real-life husband-and-wife team Desi Arnaz and Lucille Ball created one of the most enduring situation comedies of all time, still in re-runs over 65 years later, and still just as funny.  It brought the world such iconic skits as the Candy Factory, the Vita-meata-vegamin skit, and the unforgettable recreation of the Duck Soup mirror bit with Lucy and Harpo Marx performed in front of a live audience in a single take.  If you aren't laughing out loud watching these sketches, please check your pulse and call a doctor pronto!

4. The Twilight Zone (1959) - This incredible series had no single story line, no consistent characters (other than the host) and only a broad theme of irony and mystery to tie it together.  Yet, it became one of the most iconic shows in television history.  The show's opening titles, score and narration style have become synonymous with "strange."  Host Rod Serling's squinty-eyed, cigarette smoking vignettes have spawned hundreds of parodies and imitations.  The stories themselves have inspired countless other shows and spin-offs.  Each 30-minute segment was a self-contained morality play, using plot twists and reveals to jar the viewer into another dimension of thought, playing with perceptions and turning prejudices on themselves.  In the real world, the show launched dozens of careers for writers, directors and actors.  It also featured masterful performances by such craftsmen as Burgess Meredith and Robert Redford.

3. Star Trek (1966) - We started watching this show in its first season of its first run, and have dutifully gorged on nearly every iteration of it since (except for Deep Space 9 and Voyager - blah).  It spawned a dozen movies, almost as many spin-offs and reboots, and a fanatical cult following unlike any other cultural phenomenon in history (religions excepted).  This show is arguably responsible for automatic doors, cell phones, 3-D printers, Bluetooth devices, floppy disks, and piles of real-world technologies (good, bad or indifferent).  It also created cultural catch phases (Beam me up, Scotty) that are so embedded in the language that many people don't even know their origin now.  Hell, real-world spacecraft have actually been named from this show.  That's influence!  The show broke so much ground that its wake looks like a plowed field of broken taboos and cultural firsts.  If imitation and parody are measures of success, then this show is likely to be as durable as any of the classical composers, and one of the most significant cultural products of the 20th century.

2. Monty Python's Flying Circus (1969) - Though comprised of only 45 episodes spread originally over three years, this series has left a massive footprint in the center of modern Western culture.  The first time we saw this show (at midnight on Saturday nights after SNL), we were left slack-jawed and completely mystified.  This show took every convention of the medium, as well as history, pop culture, politics, and daily life, and flogged them until they were minced hulks of quivering flesh.  Featuring a series of five- to seven-minute sketches tied together with non sequitur, this show has attained the position of legend and a great many people can quote entire segments verbatim, even today.  There is truly nothing like this show before or since, though it has inspired entire careers and it's own adjective (pythonesque).

1. I, Claudius (1976) - Aside from the fact that we were assigned to watch this series while studying high school Latin for two years of our miserable life, this is - without a doubt - the finest television series ever produced.  The settings are quite simple and mostly implied with audio cues, but the writing and acting is some of the finest ever to grace the boob tube.  And yes, there's plenty of boob in this show, as well (it's British you know).  Beginning with the rein of Augustus, the story follows the Roman caesars in their moral, ethical and cultural decline until the death of the title character.  By the end of the series (just 12 incredible episodes), one feels as if they are on a first-name basis with the god-kings of Rome, and can name their familial relations better than their own.  Featuring some of the most memorable performances in television history, a haunting score, and a story that puts all other soap operas to withering shame, we cannot spout enough praise for this masterpiece of the medium.  Master performances from Brian Blessed, Siân Phillips, Derek Jacobi, John Hurt, Patrick Stewart and a dozen other A-list names.  If all of television had been like this, the medium would have fulfilled its promise to entertain, educate and enlighten.  If you never watch another show on television (and you might not after this), you must put this on your list immediately, if not sooner.

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Honorable Mentions
We felt it was necessary to highlight such popular, long-running shows as Britain's Dr. Who, Chile's Sabado Gigante, and Germany's Tatort.  Each of these shows has run more than 40 years, meaning they offered something of value to audiences, and have had lasting impacts on their genres and cultures, inspiring spin-offs and imitations, though never equaled.

We should also note that Masterpiece Theatre has included some of the most respected productions of any kind for television, such as Brideshead Revisited, Upstairs/Downstairs, and The Jewel in the Crown.  We selected I, Claudius because it has the greatest appeal to large and diverse audiences, as well as a story line as timeless as the city of Rome itself.  Unlike other productions, it is distinctly less Anglo-centric and stuffy than the normal British fare.

We welcome reader comments and additions.  We try to make our criteria as objective as possible, but at some point, we have to inject our personal values into the equation.

COMMENTS

From L.K. in the US:
Since TV has gotten so bad anymore, I watch the oldies and most are on your list. My favs are Columbo and Mash.   Another one I enjoy is Murder She Wrote.

There is a program called Me TV that plays all the old situation comedies too.

I fail to see humor in most of the new shows, and I love humor. Carol Burnetts shows have always had me on the floor, with Tim Conway as the old man.

The Truth Will Out-Some Banky Panky

You've been had by a banking cabal

The above linked article is from the Bloomberg News Service. It is not some wild-eyed, lone blogger in the wilderness. It is not some Mel Gibson-esque Conspiracy Theory. It is, in fact, Congressional testimony. Not that coming from Congress makes it any more true, God forbid, but it does give it an air of seriousness.

What we are told in the article is that AIG (American International Group, Inc), whose imminent failure over credit default swaps, was the impetus for the multi-trillion dollar bailout of the banking system. It is revealed that AIG was in no way in danger of failing, but the collapse of the swaps would have given the Federal Reserve a black eye in the credibility department.

So, to clarify, a private corporation (The Fed), which owns our money (The Dollar) was about to have a serious crisis of CONfidence because of the imminent failure of another private corporation (AIG) to back its BullSh*t. They then engineered a tax-payer-funded bailout where the Fed bought up the swaps using our taxes to ensure that the truth would not come out, to whit: it's all a huge scam.

And people wonder why I left that God-forsaken country.

Cut to the audience (the American People) sitting hypnotized in front of their God Boxes (TVs) having intellectual pablum shoved into their fluoride-addled brains while gobbling McPlastic food. For some reason, they aren't lamp-posting the whole lot. Can't imagine why. They have been mass-media-ed into a devolutionary stupor, unable to provoke, much less feel a strong emotion, such as outrage. In fact, the image is not unlike those characters we make fun of who sit transfixed by the Benny Hinns of the mediasphere and blankly hand over money whenever it's requested.

"In God We Trust," and by the way Brother, could you bail out AIG while you're praying to the plasma-screen god so your humble masters...I mean servants bravely battle the forces of darkness who want to lower your standard of living.

Oops, that ol' standard of living just got shot in the back and the last man standing works for the Fed.

Yes, Brothers and Sisters, you have been horn-swaggled by a bunch of crooks who looked you square in the eyes and told you the "End Is Nigh," while taking every last penny from you and your progeny.

But, don't be upset. It's for your own good. Here, we'll give you free health care and a life-time supply of anti-psychotic drugs to make you feel better. Where have I read this before? Oh yeah, Aldus Huxley's Brave New World.

If you screw your eyes and furrow your brow just right, and stand over here on The Far Side, you can almost see the humor in it. From the Founding Fathers to George Orwell, from the Elders of Zion to conspiracy nuts, the whole danged thing has been telegraphed for at least two centuries. We have been so bamboozled that we are incapable of, 1) recognizing the situation, and 2) doing something about it. Granted, without training, you always experience a certain amount of shock when you come upon a traffic accident with mangled bodies, but it's time to snap out of it.

Is it too late? Well, do the math, shall we. Cabal=couple hundred thousand, people=7 billion. Nope, looks like a slam dunk to me. Just have to wake up long enough to get mad about something.

The information in the above Bloomberg article is Lassie, and we are Timmy. We are unconscious and Lassie is barking her fool head off to wake us up before the train squishes us like a bug. She pulling and tugging at our limp body, licking our face, doing anything to get us off the tracks. Good ol' Lassie. Wish she had someone to run to, to get help, but there are seven billion Timmys out here and not many Lassies around.

So, just to review, the Federal Reserve is a private corporation, and if you pull out your last dollar there and look at the top, it says Federal Reserve Note. That's right, you don't own that dollar. You are a slave to the company store and that company store is foreclosing on your future. Doncha think it's about time to fight back? Doncha think you and me should own our money, like it says in that nasty ol' Constitution?

The Far Side ain't so much a place as it is a state of mind. All it takes is just a cup of cosmic Java and a pastry or two and you can see it too. Like good ol' Rod Serling used to say,

There is a fifth dimension beyond that which is known to man. It is a dimension as vast as space and as timeless as infinity. It is the middle ground between light and shadow, between science and superstition, and it lies between the pit of man's fears and the summit of his knowledge. This is the dimension of imagination. It is an area which we call the Far Side.

OK, so I changed it a little.

Hope to see you here soon.