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Showing posts with label Illuminati. Show all posts
Showing posts with label Illuminati. Show all posts

22.8.16

Civilization's Waterloo

There's a weird kind of insanity sweeping the world.  It's a feeling of extreme anxiety.  Everyone seems wildly impatient, yet profoundly apprehensive about getting started.

The feeling seems to be coming from the top down.  Leadership, and by that I mean the "elite" power behind the babbling faces in the media, appears to be itching for a fight, yet terrified of getting one.  It's like a heavy-weight prize-fighter going up against a bantam-weight challenger and feeling dread that this may be the mouse that roared.

In the late 1600s and early 1700s, a group of French, British and German philosophers devised a rather amazing set of concepts that became the Enlightenment.  They proposed that a well-educated populace was more than capable of leading itself without the need for "divine" monarchies.  They also proposed that individuals were endowed at birth with rights that were above human ability to amend or edit.

Governments, they said, were devised by the masses to protect those basic rights from any individual or group that wanted to take them away.  This included secular and religious leaders and institutions who claimed "divine right" to do so.  In effect, every single person was his or her own "sovereign" within the confines of his or her property, which included one's self.

I am convinced that a group, founded in Ingolstadt, Germany in the late 1700s, that called itself the Bavarian Illuminati (lit. the Enlightened Ones), was founded based on the ideals of the Enlightenment and charged with undermining social institutions, especially the Roman Church and the various European monarchies, in order to bring about the Great Awakening, the New Atlantis or Golden Age, that they believed was possible using this revolutionary new philosophy.

Certainly, the US and French Revolutions can be traced directly to the work of this group.  World Wars 1 & 2, which did away with most of the monarchies and left the Roman Church severely neutered would easily fall within their charter.

But then the backlash happened.

The Bavarian Illuminati were infiltrated by loyalists and conservatives who liked the Old World Order.  They thrived using complete control and "divine right," especially the Roman Church, which under Pope Bonaface VIII, had declared dominion over the entire world and everything in it in the form of the Unam Sanctam.  They didn't take kindly to having all that wealth and privilege swept out from under them, and sovereign individuals in no way fit their worldviews.  As Mel Brooks so aptly put it, "It's good to be da king!"

Seeing their thousand-year reign of absolute power and privilege slipping away, these desperate folks made a deal with the Devil, so to speak.  They allied with forces that had no one's interests at heart.  As Alfred put it in The Dark Knight, "Some men just want to see the world burn."

These deposed kings made a deal with forces whose only motivations were to destroy everything.  They didn't want power or wealth, they wanted death and destruction.  The great kinds of old didn't understand this mentality and thought they could easily control the dark forces with carrots and sticks.

It didn't work and it set up an epic battle that began in the 20th century, with deeply entrenched forces on both sides that would never give up until they were ultimately victorious.  The dark forces infiltrated every secret society on both sides of the battle, and like the Sorcerer's Apprentice, each time one of these dark minions were cut down, the pieces would animate and come back in greater numbers.  And just when either side thought they had things under control, and would make their next move, everything would spiral out of control, making any plan, any action a parody of itself.

Thus, we find ourselves in a world no one understands.  We normal folks can't comprehend forces that do not have any motivation other than utter destruction.  The Old Powers and the New Powers unleashed something they can't control, and all their intricate and centuries-old plans fly quickly out of hand any time they try to advance their causes.

So here we sit, caught between two entrenched forces, one trying to reestablish "divine right," and the other seeking the "sovereign individual."  Both sides think their goal is to bring about the Great Rebirth of the Golden Age, yet both have built their redoubts on the foundation of a dark force neither can control.  Every attempt they make to advance their cause results in several steps backward.  It's a Chinese Finger Puzzle of massive proportions, and what was ultimately a European battle has now engulfed the world.

Suppose every act of kindness you made resulted in death and destruction.  Your natural instinct is to help people in need, but every time you do, you cause unspeakable pain and suffering.  How would you react?

That is where we stand.  Civilization is fighting its own greed and lust for power.  Two formidable and diametrically opposed ideals went to war with each other.  Out of desperation, one or both of them made a deal with a third force that neither could control, and which wanted neither to win.

It's as if we face another Tower of Babel.  Seeing that humanity will join together to "achieve whatsoever they imagine to do," the gods have stepped in, by our own invitation, to scramble our efforts and reduce everything to rubble once again.  It at least explains a great deal of the insanity and anxiety that we see in the world now, and to an even greater extent the insane brinksmanship that is evident in global events.

Everyone is gearing up for a war no one wants, with goals no one understands, using weapons and tactics that are doomed to fail.  It's the proverbial rock-and-a-hard-spot writ large.

If you've got a better explanation, I am all ears.

9.8.11

Dog Days Of August

MUSIC UP AND OVER

THE SCENE: We establish with aerials of a remote Swiss chalet.  It is obviously the possession of someone(s) with extreme and old wealth.  The camera flies across a vast ravine and enters through a set of French doors into...

INTERIOR SWISS CHALET: A richly appointed Euro-style sitting room, all walnut and leather with animal heads mounted tastefully around the walls.

There are a number of MEN sitting in a rough circle.  They are obviously well-to-do gentlemen, with a smattering of military types.

The CAMERA peds up from shoulder height to move across their heads until a set of wooden double doors are filling the frame.  Just as the camera settles on the shot, the doors burst open and STANLEY MOTSS is standing dead center, one hand on his hip, the other holding a Yorkshire terrier.  BED MUSIC

MOTSS: Gentlemen, you're pissing on my product.

A BEAT

GEORGE C. SCOTT: Mr. Motss.  We were wondering if you'd show up.

MOTSS: (enters room, doors shut) Don't give me that crap.  You knew when I had the idea sitting on my toilet this morning.  Let's dispense with the bullshit, shall we?

PATRICK STEWART: How may we help you, Mr. Motss?

MOTSS: (puts dog on a large coffee table) You know damn well what I'm doing here.  You killed my product.  I believe we had an agreement?

SCOTT: You have to understand the 'fog of war...'

MOTSS: Do I have to waste my precious time with brass mouthpieces here?  I created SEAL 6!  You told me I had the picture rights, residuals and two sequels.  I'm just a little miffed, if I may use such strong language?  I'm already in production!  I've got crews shooting in Morocco with Dolph Lundgren right now.  Before I can even post, you've killed 'em all!  Hell, we've got action figures in development.  How can I sell dead heroes?  You can't sell dead heroes!  Nobody wants a dead hero!

CHRISTOPHER LEE:  It was unavoidable, Mr. Motss.  Pakistan was threatening to open our little cage.  The damage that could cause...

MOTSS:  I could've gotten an Oscar here!  You've shot down my dream!  Now I have to start from scratch again.

SCOTT:  We'll be happy to arrange a posthumous Oscar.

MOTSS: Threats don't interest me.  Now about my career.

LEE:  How much, Mr. Motts?

MOTSS:  This?  This isn't about money.  Do I look like I need money?  I got an Armani and I'm holding a hairy damn dog.  Trust me, I don't need money.  There's a bigger picture here.

LEE: Precisely, Mr. Motss.  One even bigger than your own.  All of our careers are at stake.  Things have gotten into the wild, and not just about your SEALs.  We are...anxious about the future, and your mantle decorations do not advance The Goal.

MOTSS: Don't lecture me about Big Pictures.  My bio-pic on Che Guevara set the bar for Big Picture!  I created Madonna for you!  I AM Big Picture!

VOICE: Mr. Motss...

(Cut to wide of massive fireplace, a la Citizen Kane.  A LONE FIGURE stands to one side, framed by roaring flames.  The camera trucks in to a tight shot of the back of his head.  He turns to reveal...JAMES MASON.)

MASON:...it seems subtlty eludes one such as yourself.  Allow me to be blunt.

(Cut to wide as he crosses to oppose MOTSS)

MASON:  Your SEALs were fine work.  We used the bios that you created, even releasing one of the photos you made for your characters.  We appreciate the quality and depth of your efforts.  But, the issue at hand is that we are losing control.  We had expected the...masses...to react differently.  We're afraid that our timing may have been off.

MOTSS:  And that's a reason to kill my best work?  I even killed bin Laden for the sixth time, and people bought it.  You saw the YouTube videos of the boneheads dancing in the street.  And the burial at sea?  That was genius, baby, genius!


MASON:  There is no denying your talent, Mr. Motss.  Our relationship has been mutually beneficial, as I'm sure you will agree.

MOTSS:  All the way up until you scrambled my Oscar hopes.  I had the speach written and everything.  I even hear Chevy Chase is hosting next year.  You can't possi...

SCOTT:  This fruitcake is raining on the parade.  I'd love to commit his suicide.

MASON: Gentlemen, please.

LEE:  You see, Mr. Motss, where one door closes, another opens.  We have another, much larger project for you.

STEWART:  We want an alien invasion.

MOTSS:  Sci-fi?  I like it.  Always wanted to do a space opera.  Who gets creature design?  Do I get ILM?

STEWART:  We've already set up most of it.  You've got a comet, an asteroid and two planets to work with.  You will have some license, but you must adhere closely to the outline.  We need a creature that is menacing, but not unbelievable. No forehead appliques or cheerleader outfits.  The...masses...must be sufficiently frightened and distracted that they cling to us like a bad smell.

MASON:  Mr. Scott will brief you shortly on Project Blue Beam.

SCOTT:  Do I have to work with this...this man?


MOTSS:  Blue Beam?  What's Blue Beam?  I need some real toys here, and your giving me ray guns?

MASON:  It will allow you to project 3D images directly on to the atmosphere simultaneously worldwide.  Each person will hear the audio inside their heads through a signal from every cellphone tower across the globe.

MOTSS:  I'm liking it.  Got a kind of Goldfinger-y feel to it.  So, what's the upshot?  What do you want?  And what about my Oscar?

LEE:  We need the entire world to be frightened to death.  It must appear that a deadly virus has been released by an alien force to eradicate Mankind.  Only we will have the cure, so they must come to us.

MOTSS:  Wicked.  Sort of Star Trek meets War of the Worlds.  We'll need some serious talent.  This won't be a job for Tom Cruise.

STEWART:  Precisely, Mr. Motss.

MOTSS:  Got any flying stuff?  I'm betting all those sightings are probably yours, right?  But they look so 50s.  Don't you have something a little more, I don't know, Maserati?

MASON:  Mr. Scott, would you please illuminate our guest?

SCOTT: (grumbles) We have faster-than-light craft.  Fifth generation.  The largest will hold 100 men.  It'll get you to Mars and back in 20 minutes.

MOTSS:  I'm getting a picture here.  Comet passes near Earth.  Media hype stirs up pre-arrival anxiety.  It's revealed to be an alien craft.  I'm thinking Godzilla-running in the streets kinda shots.  The inhabitants drop in to claim Earth as their own.  Humans must surrender or be annihilated.  We can do the alien broadcasts from Mars.  Frame it right and no one will know the difference.  How's the lighting there?

MASON:  I believe you have the Big Picture, Mr. Motss.

MOTSS: Can I use Obama?  He's not looking too busy these days.  He and Woody hit the links just the other day.

LEE:  All our operatives are at your disposal.  We'd like you to use Putin, as well.  We want him built up into a global leader.

MOTSS:  Got it.  Perfect.  I'll do a James Bond-coming out of the water shirtless kinda thing.  The women and queens will go ga-ga over it!  I'll have them eating out of my hands!  Love his accent.

STEWART:  Be careful, Mr. Motss.  We need extreme caution at this point.  This is our biggest weapon.  We can't afford to let this one get away...like the SEALs.

MOTSS:  I'm still sensitive about my SEALs...please.  I almost started believing them myself!  Now that's talent,baby!  I'll need a little religious fanaticism to pull this off.  Who do you have?

STEWART:  We've already set up Rick Perry for you.  He's on-board with the program.

MOTSS:  Him?  He's such a pretty-boy.  Don't you have someone a little rougher?

LEE:  Trust us, Mr. Motss.  We've been at this for a long time.

MOTSS:  Ok, but at the first sign of trouble, I'm bailing on Perry.  Don't trust the guy.  What about budget?  I need some serious juice for this one.

STEWART:  You will have everything you need.

MOTSS:  Right!  Well, let's get on with it.  I've got a million ideas and I need to get them on paper fast!  Where can I work?

MASON: Mr. Scott will show you to your quarters and brief you.

SCOTT:  I feel like Nixon in China.  I'll try to restrain myself.  This way, Mr. Motss.  And don't forget your damn dog.

MOTSS:  Oh, that thing?  I just rented him for effect.  He's yours.  I hate dogs.  By the way, have you done any stage work?  You have a great voice for...I don't know, a general or something.

SCOTT:  I am a general, you dolt.

MOTSS:  I knew it!  What's your sign?

(They exit)

LEE:  I feel a bit uneasy about this one.  Events are moving much faster than we anticipated.

STEWART:  This alien invasion has been planned for decades.  George Lucas and Ridley Scott have been softening the targets for years.  Our polls show people are ready for this.

MASON: Gentlemen, we have only one concern.  We must keep a tight grip on this.  The usual leaks can't be tolerated.  If anyone becomes a problem, they are to be liquidated in the usual manner as fast as possible.  Understood?

(Cut to wide as all the heads are nodding thoughtfully...then cut to a figure who has sat silently in the back of the room until now)

CLAUDE RAINS:  This could be the dawn of a new day...

(MUSIC SWELLS/FADE TO BLACK)

31.5.11

Novus Ordo Saeclorum

There’s nothing new under the sun.

Ultima Cumaei venit iam carminis ætas
Magnus ab integro sæclorum nascitur ordo
iam redit et Virgo, redeunt Saturnia regna
iam nova progenies cælo demittitur alto

The avenging Sybil comes, an immediate prediction for the era
Great numbers, because of the age of perfection, are born in turn
immediate reward and Virgin, honorable Saturn reign
now the new blood-line of heaven descendant from the Father




Virgil
Though many people are finally waking up to something called the “New World Order,” it is, in fact, a very old idea.  It is not New, it does not encompass the World, and it has little to do with Order.

The words, “Novus Ordo Saeclorum,” or ‘new way of things for all time,’ were first recorded by Publius Vergilius Maro, or simply Virgil, a Roman poet and historian, who lived from 70BC to 19BC.  He wrote the words in reference to the Roman Empire, which controlled most of Europe, the Near East and North Africa at the time.

Notice that the words, novus ordo saeclorum, don’t actually appear that way in the orginal poem.  That is important to understanding what is meant by this term.  More on that in a minute.

The term 'novus ordo saeclorum' has popped up in various places, most notoriously on the back of the US $1 note and Great Seal, as well as the title of Adolph Hitler’s second unpublished book, the sequel to “Mein Kampf” (My Suffering).

US Great Seal - Reverse
The “New World Order,” has been applied to a number of Western empires that have all notably had quasi-religious, esoteric foundations, such as the Holy Roman Empire and the Third Reich.  The quest to dominate the world is as old as ambition itself, and since the time of Virgil, it has had a name throughout Western history.

Every major empire that has come and gone in the West has had, at its root, the desire for a “New World Order.”  Whether it was Rome, Spain, Britannia, Autria-Hungary, the Third Reich, or the Catholic Chruch, they have all sought to enslave all of humanity under a single iron fist…and they have all seen themselves as the new order of all things.

The fact of the matter is it is all the same old clap-trap, and it all collapses under its own weight.  With the possible exception of Rome, which has changed its marketing plan several times over the last 3,000 years, they have all gone into the trash bin of history.

Basically, the New World Order is the same old bunch of crack-pot monarchs who keep trying to resurrect a long-failed blood-line ruling class that the masses have long since disregarded and disposed.

It’s important that we re-translate not only the poem, but the line ‘novus ordo saeclorum,’ because the real meanings have been obscured by accident and purpose to keep us ignorant of what’s really going on.  The lines from the poem, and the commonly translated “New World Order” actually refer to the rise of a blood-line king that will rule the world for all eternity.

The problem with a lot of translations out there is that Latin didn’t have punctuation, so things like dependent clauses, and adjectival and adverbial phrases must be carefully inferred from the endings on the words and the word order in the sentence.  In my translation, I have added appropriate commas to give a clearer rendition into English.

Virgo
The poem contains two important symbols that are frequently translated as “justice” and “rules” (the noun form).  These are shallow interpretations.  The words Virgo and Saturn are very rich symbols with much greater significance.


Remember that poetry, even in English, uses connotation, allusion and subtext to communicate deeper meanings and images.

Let’s first look at Virgo.  Among the many allusions for this word are the Aqua Virgo aquaduct, the astrological sign Virgo, and the symbol of the virgin, which is part of the reason early Christians considered this poem prophetic.  In fact, many read the poem as prophesying the rise of a catholic (universal) Christian empire.


Virgo is the goddess of justice, who was forced to flee Earth because of the lawlessness of Man.  If this sounds a bit like something from the tale of Noah’s flood, you would be on the right track.  She is sometimes shown with scales, because Libra is the sign that follows Virgo.

Aqua Virgo
Originally, Virgo was pictured holding two sheeves of wheat, an asterism that followed the ancient Babylonian constellation of “The Furrow.”  Of course, if you read the Far Side column called Dawn of a New Day, then you know that a bundle of wheat with an ax buried in it is called a ‘fascia,’ from which we get the word, ‘fascism.’  The meaning of the symbol is ‘one strength from many parts,’ which Lo and Behold, is the national motto of the US.  Hmmmm…interesting connection.  The connotations of bundles of wheat, justice and laws, and the female form, which implies life and creation, are what we are after here.

Saturn is even more interesting.  Saturn is a key symbol in so many parts of our culture.  The most familiar, of course, is that it is Lord of the Rings, but it goes much deeper than that.  The ancient Babylonian symbol for Saturn is a six-pointed star, or what we commonly call the Star of David or Solomon's Key.  That it is a hexagram is even more interesting, in that it wasn’t until the past few years that we have been able to see that the poles of Saturn are surrounded by hexagonal rings.


A side note...the Babylonians knew that Saturn had rings, and the Hindus knew the diameter of Saturn to within a few hundred miles.

Saturn's Hexagon
Saturn traditionally is associated with long-term planning, and its 30-year orbit shows up in vast amounts of obscure and occult symbolism.  The common image of the god Saturn is what we know today as Father Time, the old man with a scythe who represents the passing year in New Year’s celebrations. 

Saturn was the Roman god of harvest, thus a close association with Virgo, who is holding the harvested wheat sheaves that Saturn has cut.  


Saturn was known to the Greeks as Cronus, the god of time, and the origin of the English word ‘chronology’ and its related forms.

In Hebrew tradition, Saturn is called Shabbathai, which is the origin of the word ‘sabbath,’ thus those observing the Sabbath are Saturn worshippers, who go to the temple on Saturn-day..


Ancient Babylonian symbol for Saturn
The Roman festival of Saturnalia began on December 17th, and ended on December 23rd, when the sun died for three days before being resurrected again on December 25th.  This symbolism is based on the fact that the sun moves approximately 1-degree per day across the sky throughout the year, as the Earth wobbles back and forth in its orbit.  The exception is December 23 to 25, when the sun appears to stay in the same location for three days, before beginning to climb again into the northern tropic zone.

Saturn/Cronus is also the father of the gods.  He is the progenitor of Jupiter/Zeus, and is the son of Terra and Caelus (Earth and Sky).  Do you see the word caelo in the poem at the top?  The Latin word for ‘heaven’ is caelis.  Are the pieces starting to fall together?

The Hindus call Saturn Shani, the judge of souls after death, a symbolism certainly known to Virgil.  The combination of Virgo, sometimes called the goddess of justice, with Saturn, whose Hindu function was to judge the dead, and who was credited by the Romans for originating law, make for an interesting play on meanings and symbols.

Cronus kills Uranus, his father
Virgil would have also included the mythology of Saturn, whose reign over Earth was a Golden Age, a time of great wealth, peace and cultural advancement.  This Golden Age appears in almost all mythology on Earth.  According to the Roman story, Jupiter eventually overthrew his father Saturn, and cast down all the Titans, thus ending the Golden Age, and beginning the Age of Man.

The layers and layers of mythology surrounding Saturn are both deep and broad.  I’ve barely touched the Eastern symbols.  But, I think we have enough now to get a handle on Novus Ordo Saeclorum, and tackle the poem’s riddle.

The avenging Sybil comes, an immediate prediction for the era
Great numbers, because of the age of perfection, are born in turn
immediate reward and the Virgin, honorable Saturn rule
now the new blood-line of heaven descendant from the Father

Sybils were soothsayers in Roman times.  They were the fortune-tellers.  In this case, the prediction is that Saturn would be overthrown by one of his children.  Thus, the reference to ‘avenging’ or revenge.

The Age of Perfection, or Golden Age, returns in a rebirth or resurrection.
Because of the rebirth, there is a return to justice, bounty and all the perceived wonders of the Golden Age.  The Virgin Implies innocence, as well as harvest and plenty.  Saturn brings justice and gathers the many together into one, like wheat at harvest.

Saturn is reborn, the blood-line of Heaven and Earth (Caelus and Terra).  The ancient rulers return and a Second Golden Age comes.

If we draw all the strings together, what we see is that the novus ordo saeclorum is an occult reference to a new golden age, that will supposedly be based on a legendary blood-line, which will rule over the whole world.  The fascis and e pluribus unum are all part of this secret symbolism.  Just as the whole design of Washington, D.C. as the New Rome is part of the rebirth of the Second Golden Age.

Everything we see going on around the world right now is because a group of occult ‘fascists,’ who call themselves the 'illuminati,' or enlightened one, are trying to breed a new king from an (supposedly) ancient blood-line, and bring all the pieces (harvest) together to bring Saturn back to life and recreate the Golden Age.

The problem is, who will this Golden Age benefit?  Who is the blood-line?  And why are we normal folk considered so much meat to waste in order to create this legendary Golden Age?  And why is this all such a big, damn secret?

We are at the mercy of a bunch of in-bred, Saturn-worshipping, believers in ancient legends, and they are willing to destroy anyone and anything to get their way in re-creating some musty old myth about a Golden Age.


The Illuminated Ones, who worship Saturn, in the guise of Lucifer the Light-bearer (all-seeing eye), are trying to re-establish a 'Golden Age' (gold being a symbol of Saturn) in which their chosen blood-line will be the supreme rulers of all Mankind for all eternity.

Makes you feel nice and comfy, doesn’t it?  Because we are in the way of their maniacal lust for ultimate power.

By the way, does any of this sound like a plot from a 'Star Wars' sequel?  Saturn, the dark father (Darth Vader) is killed by his son Luke/Jupiter, and ushers in a new Golden Age for the galaxy.

Stay tuned…

Our motto here on the Far Side, is and ever shall be:
Panton est fimum bovis.  It’s all BS.

24.4.11

The Dawn Of A New Day

This symbol is called a fasces.  The word comes from the Latin, fascis, which simply meant 'bundle.'  It's the root of the English word 'faggot,' which in British English means a bundle of twigs, or in the slang, a cigarette.  The symbol itself means, "strength through unity," which is obvious by the ax head sticking out of a bundle of twigs.  In other words, projecting power out of a unified bundle of people.  Lest Indonesian readers think this has nothing to do with them, then they might recognize this, "Bhinneka Tunggal Ika."

Fasces also happens to be the origin of another English word, "fascist."

To really understand what you are looking at, you must also know about the 'eagle,' or 'aquila.'
Roman with fasces
Indonesia with motto
USA offering peace or war

German with phoenix elements
Notice anything?  For one thing, a lot of countries use the eagle symbol.  For another, it's been around for a long time.  Even the Babylonians used eagle's wings attached to lions with human heads as ubiquitous symbols.

Basically, the eagle represents the Sun.  As the eagle was able to fly so high, and was still able to see the smallest detail on the ground, it became a symbol of the gods.  As the Sun was the chief among the gods, that the eagle could get so close and not get burned meant is was pretty special.

Ikarus and Daedalus of Greek legend built wings of eagle feathers so that they could soar close to the Sun, as well.  Famously, Daedalus got a bit too close and he crashed into the sea.  If the eagle got too close, he would be consumed in flames, but would rise again from the ashes...the Phoenix.

Now the Sun is a big deal.  The symbolism for that thing is huge, deep and complicated.  Suffice it to say that it represents the Light of the World, knowledge, gnosis, illumination.  Those who bear the symbol of the eagle have come close to the Sun, and therefore have special knowledge.  They have been illuminated.  They are Illuminati.

The other thing to note about eagles is that they have two wings, the left wing and the right wing.  The eagle is a two-party system.  The US, of course, is two party.  Most countries that bear the symbol of the eagle are moving towards two-party systems.  Indonesia just passed legislation that will ultimately move it to a two-party system.  Singapore this year is introducing a second party, just so everyone thinks they have a choice.  You can have Communism (the left) or Fascism (the Right).  Either way, the Illuminated win, because both wings belong to them.

It's the hegelian dialectic.  You are presented false choices, then change agents steer the discussion until the masses select one of the preselected choices.  The choice is presented as concensus, though any dissent or alternatives were eliminated before you ever got the choice.

Societies are steered through the use of the hegelian dialectic, making false choices and thinking they have selected what they have.  Meantime, the true leaders, the illuminated ones, manipulate symbols, both to control the masses and to communicate to each other.

One such coded communication is something called, "The New Dawn," or "Dawn of a New Day."  These codes refer to the ultimate subjugation of the entire world under their control.  It's a new world order, in other words.  Novus Ordo Seclorum.  Out of the many, they have crafted one order for themselves, by themselves and from themselves.  E pluribus unum.  Bhinneka Tuggul Ika.  The fasces.  Power projected from the uniting of the masses into one bundle.

Perhaps you noticed GW Bush's Operation New Dawn in Iraq.  Maybe you recall Obama's promise of a New Dawn in US leadership.  In fact, a few seconds on Google searching those terms will bring up literally thousands of examples of 'leaders' and 'famous' people using them.  Go to imdb.com and search the terms in movie quotes and titles.  Bet you never noticed it before.

How about this?

Gee, do you think that could be the 'dawn of a new day' in Obama's campaign logo?

But wait!  Isn't the the 'dawn of a new day' there at the bottom of the Soviet Union's coat of arms?   And aren't those symbolic eagle wings surrounding the whole thing?  The five-pointed star symbolizes Lucifer, the Morning Star, but that's a whole other can of wax, to mix a metaphor or two.
China Coat of Arms - Sun as cog wheel
Hey!  There it is again on China's seal, though they gave it a cursory disguise, of course.  And notice how the symbolic wings are also bundles, or fasces, and that they spring from the rising Sun.  The eagle's tail is disguised as a drapery, but the design elements are unmistakable.  Mistakes?  Just coincidence?  Nice graphic elements?  OK, sure.


It's really astounding once you start looking for these things.  The fasces, the eagle, the sun rising...they're everywhere!  They are coded communications among those who think they own humanity.  That includes those who, on this particular day, celebrate the "Son Rise."
The Dawn of a New Day


Oops, did that slip out?  Well, since it's already on the table, go into your church today and see how many eagles and rising suns you can find.  Should keep you busy for an hour or so.  Start with the top of the American flag, if you're in the States.  And while you're at it, see if you can figure out why the state flag has a spear head on it.  Bonus points awarded.

So, next time you wonder if your country is becoming a fascist state, all you need to do is look for the symbols.  Bet you can find a million of them.

Why, just take a look at the US House of Representatives during Obama's State of the Union address.  Notice anything?
Notice the two giant fasces on either side of the podium.  Could it be...fascists?!

Those aren't eagles and fasces, are they?  Naw, I didn't think so...

Oh, and if you want a lot more information about all this, and a whole lot more, check out Jordan Maxwell.  He's the guy that Dan Brown based his symbologist/hero on.  It's amazing stuff for those with hungry minds.

Happy Day of Ester.  May all you have be fertile.



Your homework?
Here's the Singapore Coat of Arms.  See if you can interpret the symbols.  Hint: lions, 5-pointed stars, crescent moons, and pentagrams are just the beginning.  And is that really the Moon?  Can you think of any planets that present a crescent when viewed from Earth?  Have fun!

Oh, ok, one more hint: how many fingers do the lion and the tiger have showing at the top?  Also, be sure and look at outlines and negative spaces.  That's all.  The rest is up to you.